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Archive for the ‘Voltage Pictures LLC’ Category

3/16 UPDATE: I have heard that CEG-TEK has retained an attorney who is filing the Dallas Buyers Club / Voltage Pictures bittorrent lawsuits in Canada to sue on behalf of their clients (it appears it may be James Zibarras).  Apparently they are doing it as a proof-of-concept to teach that Canada’s limited statutory damages ($5,000 CAN maximum) is per studio. CEG-TEK also claims that there were six months of warning letters (no settlement requested) before they started sending the settlement request letters.  Can anyone in Canada confirm or deny this?

“There is an untapped market of internet users in Canada who could be accused of copyright infringement and forced to pay thousands of dollars in settlement fees… or is there not?” -Copyright Trolls.

Canada until recently was a country which took steps to curb copyright trolling. They limited damages for copyright infringement to a maximum of $5,000 CAN (as opposed to $150,000 here in the U.S.). They set provisions where [with exceptions,] the plaintiff attorney in a lawsuit would need to pay their own attorney fees (as opposed to U.S. Copyright Law which allows a “prevailing party” to collect attorney fees from the non-prevailing party), and things were pretty good for the downloaders and pretty bad for the copyright holders. Who would ever sue in Canada?

Then it was explained to me that certain ISPs were sending what sounded like our “DMCA copyright infringement settlement letters” that we have seen from companies such as CEG-TEK. This evening, Techdirt wrote an article on the topic entitled, “More Copyright Trolls Rushing In To Take Advantage Of Canadian Copyright Notice System Loopholes.”

So apparently what was done to protect the Canadian internet users from copyright trolls has for the moment been undone. “Carte blanche, carpe diem, go get em tiger!” one might think. But I suspect this is only a temporary loophole. In an honest world, those who protected the internet users will continue to protect them, and attorneys will continue to defend against those who are accused of copyright infringement in Canada.

When I heard about what was going on this afternoon, I sighed, “O Canada!” Originally spelling it “Oh Canada,” I quickly found on Wikipedia under the “O Canada!” entry that there is actually an interesting distinction between the English version of the national anthem and the French version. The English version seemed passive (as I understand many mistake Canadians to be).  In my opinion based on my own family in Canada, the real character of Canada could be better found in the French version of Ô Canada! Where the English says, “O Canada, we stand on guard for thee,” the French version says “[We] will protect our homes and our rights. The French version also says, “As is thy arm ready to wield the sword, so also is it ready to carry the cross.”

In short, Canadians won’t stand for the copyright trolls, and I suspect this will be only a temporary problem which will be remedied by the legislature as quickly as a copyright troll might pop his head out from under the Pont de Québec and say “boo!”

A Translation of this article into French from a valued Contributor (just for fun): 

Le Canada jusqu’à récemment, était un pays qui a pris des mesures pour freiner les “copyright trolls” ou “pêcheurs à la traîne de droits d’auteurs”. Le Canada a limité les dommages pour violation de copyright à un maximum de 5000 $ CAN (par opposition à $ 150 000, ici aux USA). Au Canada, un demandeur victorieux doit le plus souvent payer ses propres frais d’avocat dans un procès (par opposition aux États-Unis ou la législaion permet à une “partie gagnante” de collecter ses frais d’avocat auprès de la partie perdante), et les choses étaient assez favorables aux téléchargeurs et assez mauvaises pour les détenteurs de droits d’auteur. Qui aurait jamais pensé poursuivre au Canada?

Ensuite, on m’a expliqué que certains FAI envoyaient ce qui ressemblait à nos “DMCA Copyright Violation Letter” comme celles que nous avons vues de la part de sociétés telles que CEG-TEK. Ce soir, Techdirt a écrit un article sur le sujet intitulé More Copyright Trolls Rushing In To Take Advantage Of Canadian Copyright Notice System Loopholes.”

Donc apparemment ce qui avait été fait pour protéger les internautes canadiens de copyright trolls est devenu chose du passé. “Carte blanche, carpe diem, go get ‘em tiger!”  On pourrait le penser. Mais je soupçonne que tout ceci est seulement temporaire. Dans un monde honnête, ceux qui protégeait les utilisateurs d’Internet vont continuer à les protéger, et les avocats continueront de défendre ceux qui sont accusés de violations de droits d’auteurs au Canada.

Cet après-midi, quand j’ai entendu parler de ce qui se passait, j’ai soupiré, «Ô Canada!» Originellement épelé “Oh Canada” j’ai rapidement trouvé sur Wikipedia l’article correspondant sous le titre “O Canada!” Article Wikipedia qui montre qu’il y a effectivement une distinction intéressante entre la version anglaise et la version française de l’hymne. La version anglaise semblait passive (les Canadiens sont parfois perçus comme passifs, à tort). À mon avis et basé sur ma propre famille au Canada, le vrai caractère du Canada pourrait être mieux trouvé dans la version française du Ô Canada! Là où les Anglophones disent: «O Canada, nous nous tenons sur nos gardes pour toi,” la version française indique ” Et ta valeur, de foi trempée, Protègera nos foyers et nos droits”. La version française dit aussi: “Car ton bras sait porter l’épée, Il sait porter la croix”.

Bref, les Canadiens ne toléreront pas les copyright trolls, et je soupçonne que ceci est seulement un problème temporaire qui sera corrigée par le législateur aussi rapidement qu’un copyright troll pourrait montrer sa tête sous le Pont de Québec et de faire ” boo! “


UPDATED COPYRIGHT ENFORCEMENT GROUP (CEG-TEK) ARTICLES (from this blog):
Canada begins receiving CEG-TEK DMCA settlement letters. (3/12/2015)
How time limits / purged records stop a copyright holder from learning a downloader’s identity. (12/18/2014)
CEG-TEK’s growing list of participating ISPs, and their NEW alliance with COX Communications. (11/12/2014)
The Giganews VPN Problem (11/12/2014)
CEG-TEK is now your friendly “photo” copyright troll. (6/13/2013)
CEG-TEK’s new “you didn’t settle” letters sent from Marvin Cable. (3/22/2013)
CEG-TEK’s DMCA Settlement Letters – What are my chances of being sued if I ignore? (2/22/2013)
Why CEG-TEK’s DMCA settlement system will FAIL. (2/22/2013)

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As a quick recap, the Dallas Buyers Club, LLC piracy lawsuits started in Texas and Ohio, and like a cancer, over the past year they have metastasized into the federal courts of Illinois, Florida, Oregon, Washington, Colorado, Michigan, Indiana, Wisconsin, and even Hawaii.  Copyright lawyers employed by Dallas Buyers Club have even moved their copyright enforcement activities offshore into Canada, Australia, Finland, Denmark, and Japan.

Regardless of where they go, their business model is the same — Voltage Pictures, LLC or Dallas Buyers Club, LLC files a peer-to-peer lawsuit alleging copyright infringement against multiple John Doe Defendants (generally referred to by plaintiffs as “pirates”), they convince a federal judge to rubber-stamp a subpoena demanding that the ISP turn over the contact information of the accused account holders unless the accused account holders file what is known as a “motion to quash.”  The target of the subpoena is almost always the account holder, implying that the account holder is the actual downloader or infringer who downloaded the Dallas Buyers Club (2013) movie.  The plaintiff attorney then sends one or multiple settlement demand letters to the accused downloaders in each case threatening that each will be “named and served” as a defendant in the lawsuit unless they pay a settlement of thousands of dollars (settlement requests average $3,500 to $6,500 [and in one case, $14,000, really?] depending on the state in which the lawsuit is filed).

Where the settlement demand letters blur the line of ethics is that many plaintiff attorneys employ scare tactics, making the John Doe Defendant believe that the lawsuit has already been filed against them personally.  Various attorneys have sent accused downloaders “waiver of service” forms and questionnaires along with their settlement demand letters suggesting that the not-yet-named-defendants answer these questions voluntarily, or that they waive service effectively negating the need for the plaintiff attorney to name and serve them as a defendant.

What bothers me is that because Dallas Buyers Club is not an “adult film” copyright infringement lawsuit (but rather, a “real” movie with a valid copyright and without the stigma of being an adult film), the federal judges are giving them leeway to move in and out of the federal courts to “enforce” their copyrights.  In U.S. copyright law, there is a legal presumption of validity, which means that a judge will initially lean towards favoring the copyright owner until that copyright owner has been shown to be abusing the legal process through a pattern of abuse.  Attorneys for copyright holders who represent the plaintiff generally (in our blog and in the eyes of the courts) get increased scrutiny because they have represented other copyright holders in similar lawsuits employing the same strategy of “sue and settle, but try not to name and serve [and if you do, bluff to the judge that you are prepared to go to trial on the merits of the case].”

These lawyers who file Dallas Buyers Club lawsuits (these are those who sue defendants, NOT those who defend defendants) include a growing list of attorneys, such as: Keith Vogt (Texas), Michael Hierl (Illinois), David Stephenson Jr. (Colorado), Eric Osterberg (Connecticut), Richard Fee (Florida), Paul Nicoletti (Michigan), Carl Crowell (Oregon), Leon Bass (Ohio), and Gregory Ferren (Hawaii).

Many of these names are familiar to those who have followed our “copyright troll” / bittorrent lawsuit blogs over the years, and we often see these names representing one copyright holder after another in the same fashion.  Regardless of who the lawyer is, be aware of the motivation of the Dallas Buyers Club lawsuits — to create a ‘windfall’ profit for the company by pursuing those who download the movie without authorization, and to scare and intimidate the accused downloaders into paying large settlement amounts to avoid defending the claims against them in court.

Related: Dallas Buyers Club launches post-Oscar copyright salvo, sues 615 Does (ArsTechnica)

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I am looking at these new cases, and I want each new John Doe defendant to understand that these new cases that I am about to discuss are child’s play. Most of the new attorneys in these cases are newer copycat trolls who are hopping on the success of the bigger copyright trolls we read about daily in the blogs.

While the purpose of this blog is to discuss copyright cases and attorneys who sue John Doe Defendants en masse, I want to point out that this is no reflection on whether or not the attorneys are nice people.  At least one attorney here (Richard Fee) is described to me as being a nice guy, and in the comments section you’ll read about a particular attorney and his sidekick complaining about why I am making a new copyright troll feel ashamed about being a copyright troll.  My response:  Just because an attorney is a copyright troll doesn’t mean he or she is not a nice guy.  Kevin Harrison is a nice guy.  Doug McIntyre is a nice guy, and to many people’s surprise, Mike Meier is a nice guy too.

Depending on who you ask, I’m a nice guy too.  That being said, as soon as these attorneys decide to start filing copyright infringement lawsuits and they start suing defendants rather than focusing on taking down the infringing content which in my opinion is the remedy given to copyright holders by Congress via the Digital Millennium Copyright Act (DMCA), I leave my “nice guy” hat at the door and discuss the cases and their attorneys for what they are — copyright trolls.

Here are a few new cases to give you a taste (pardon the cynicism):

In the Florida Middle District Court:
Bait Productions Pty. Ltd. v. Does 1-73 (Case No. 8:12-cv-02554)
Bait Productions Pty. Ltd. v. Does 1-41 (Case No. 8:12-cv-02555)
Bait Productions Pty. Ltd. v. Does 1-52 (Case No. 8:12-cv-02556)

Richard Fee of Fee & Jeffries PA (attorney for Bait Productions Pty. Ltd.) — you filed each of these on the same day.  Don’t you think the courts will see that you are copyright trolling and that they will consolidate and dismiss your cases?

Now let’s go to the Georgia Southern District Court: [NEW COURT]
R & D Film 1, LLC v. Does 1-80 (Case No. 4:12-cv-00281)
R & D Film 1, LLC v. John Does 1-26 (Case No. 4:12-cv-00282)
R & D Film 1, LLC v. John Does 1-37 (Case No. 4:12-cv-00283)
R & D Film 1, LLC v. Does 1-45 (Case No. 4:12-cv-00284)

Nathan Belzer (attorney for R & D Film 1, LLC)… Really? Are you really defending your R & D Film 1, LLC client’s interest in stopping piracy? Or in making a quick buck by suing downloaders? Do you even know about R&D Film 1’s other cases? Or did you just take the client thinking that you’ll make a few bucks?

Night of the Templar, LLC v. John Does 1-34 (Case No. 4:12-cv-00285)

Same attorney as above. Nathan Belzer.  I like the name of the plaintiff.

What about the Ohio Northern District Court: [NEW COURT]
Safety Point Productions, LLC et al v. Does 97-177 (Case No. 1:12-cv-02831)

Umm.. what happened to 1-96? Also, the “et al.” in this case includes Voltage Pictures, LLC. Douglas Riddell Jr. (new guy), did you think you would fool us? We have seen Voltage Pictures, LLC cases many times before in D.C.  Do you think you’ll be more successful than Dunlap Grubb & Weaver, PLLC was with this SAME PLAINTIFF?

R & D Film 1, LLC v. Does 142-162 (Case No. 1:12-cv-02832)

Again, the funny Doe numbering by Riddell. This Douglas Riddell guy is funny. I’m going to enjoy his cases.

Safety Point Productions, LLC et al v. Does 1-96 (Case No. 1:12-cv-02820)

Finally, Douglas Riddell Jr. learns how to count from “1.” Again, Voltage Pictures, LLC is a plaintiff in this case.

And,
R & D Film 1, LLC v. Does 1-141 (Case No. 1:12-cv-02822)

Again, Doug Riddell.

Now, let’s go to Illinois Northern District Court:
R & D Film 1, LLC v. Does 1-37 (Case No. 1:12-cv-09036)
R & D Film 1, LLC v. Does 1-92 (Case No. 1:12-cv-09039)
R & D Film 1, LLC v. Does 1-103 (Case No. 1:12-cv-09041)
R & D Film 1, LLC v. Does 1-66 (Case No. 1:12-cv-09043)

Todd Parkhurst (of Michael A. Hierl of Huges Socol Piers Resnick & Dym Ltd.) must be dym-witted to think that they would succeed with a copyright troll case in the Northern District of Illinois. John Steele killed copyright trolling for this federal district long ago — Todd, did you ask yourself when R&D Film 1, LLC contacted you WHY THEY CONTACTED YOU AND NOT JOHN STEELE (OF PRENDA LAW INC.)? For a copyright troll, Steele would have been a better choice.

Hmmm… Also in Ohio Northern District Court:
Safety Point Productions, LLC et al v. Does 1-14 (Case No. 1:12-cv-02812)

Did you notice how R&D Film 1, LLC and Safety Point Productions, LLC cases are each filed by the SAME SET OF ATTORNEYS IN EACH DISTRICT? I smell a new IP monetization company behind the scenes.

That’s it for tonight. Back to work on some real cases. If I’ve offended anyone, I’m not sorry — new attorneys shouldn’t be taking on copyright trolling cases.  If you are really interested in stopping piracy of your copyrighted content, then there are better ways to police your client’s copyrights than to let the infringement continue and then sue the downloaders.  Try a DMCA take down letter one day.  You might find that it works.

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